Hue & Cry: French Printmaking and the Debate Over Colors. The Exhibition Ends March 6, 2022.
Brightly colored prints and posters are synonymous with Paris in the 1890s—a period known as the Belle Époque (beautiful age). Yet, at the time, color in print was an outlier phenomenon. We have plans to visit the exhibition next week!
Here’s the link to The Clark Art Institute: https://www.clarkart.edu/